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black metal Archives - Kevin Gentilcore

Your Weekly Metal Playlist 08.09.19

By | metal reviews

High on Fire – Bat Salad EP
It’s High on Fire covering Celtic Frost and Bad Brains. If none of those words appeal to you then probably just move along. If they do, this is an awesome 15 minutes of High on Fire.
Lord – Fallen Idols
Australian power metal that is like the best parts of Armored Saint and Iced Earth but wrapped up in fucking crazy catchy riffs and solos and covered with a solid layer of Euro Power Metal excess. Also, the song “Master of Darkness” is a power metal opus about Darth Vader. Be still my beating heart. Fucking super fun. Power metal continues to dominate 2019 like no fucks are given.
Hulder – Embraced by Darkness Mysts
I super, rough around the edges but full on love letter to 90’s styled, second wave, Scandinavian black metal by this one-woman, black metal band. Super satisfying and pounding and with enough modern flair to not just simply be a nostalgia trip.
Grima – Will of the Primordial
This is super fucking hitting the spot right now. Highly melodic and atmospheric Russian black metal with a tinge of folk instrumentation and fucking immaculate song writing. Simply Beautiful.
Strung Out – Songs of Armor and Devotion
Pop punks answer to metal, Strung Out continues to write the most catchy and riff infused punk around, even this late into their career. Still on top of their game if you ask me Strung Out is woefully underrated and overlooked especially when most of the 90s pop punk bands have faded away or just put out nothing but shit.
The Howling Wind – Shadow Tentacles 
Steath-ly dropping their new album after 6 years, The Howling Wind blast faces off and blow brains apart with their down and dirty yet occult-ish, soundscape-d black metal madness. Fucking crusher.
Lord Gore – Scalpels for Blind Surgeons
I wasn’t familiar with Lord Gore or they’re long history and prolonged absence but based on the killer cover art and brutally down to earth, no pretense, no genre worshipping, straight to it, fucking ridiculous death/grind they’re playing here, I wish I’d been more familiar with them before now.

 

Your Weekly Metal Playlist 07.26.19

By | metal reviews

Equipoise – Demiurgus 
I don’t know why super melodic and techy death metal all about sci-fi has been hitting the spot so hard for me this year but it has and this Equipoise is blowing my socks off. You see, the band is made up of a bunch of players from other tech oriented death metal bands like Vale of Pnath, Beyond Creation, and Inferi, but also has a couple members from the recently awesome power metal band Eternity’s End so there’s the combination of over the top tech death melody combined with the theatrics of Euro styled power metal that combines into an oh so sweet mash up of power and riffs and blasting awesomeness.
Falls of Rauros – Patterns in Mythology
I don’t know how to sell you on Falls of Rauros if you aren’t already except to repeat, exceedingly, how they’re one of the best black metal bands going now and that they outdo themselves with each and every album. My love of this band knows no bounds and this newest album is all the beauty and depths and amazement that is Falls of Rauros.
Halshug – Drom 
The third album (somehow I missed the second) from the Danish, punk outfit. While still keeping that crusted edge about, there’s a massive influx of more rock n’ roll centered rhythms and structure. Just makes the whole album feel more of a party jam when they aren’t blasting full force in your face. Good times and good fun.
Desecresy – Towards Nebulae
Desecresy just out here quietly making and releasing nasty as fuck and grimy as hell Finnish death metal while all you nerds are screaming about Tomb Mold and the 18 different versions of Batushka.
Stworz – Moj Kraj Nazywa Sie Smierc
I feel kind of bad because Stworz puts out a new album every couple years, and they’re killer, and I totally get way into it, then I completely forget about them until the next album and the process starts all over again. So on to the new album, which is in fact another awesome, folk infused and melodically insane, Polish offering of atmospheric black metal. So fucking catchy and so tasty. The curse of consistently killer bands is to go under the radar.
Vagrant – The Rise of Norn
If you like the idea of “epic” death metal but can’t handle the overly indulgent cheese-fest that is Fleshgod Apocalypse then Vagrant may be the band you’re looking for. Not with out their layer or processed lactose, Vagrant go all in on just catchy as fuck and endlessly melodic riffing while using some symphonic elements to get that “epic” style going. At moments closer to symphonic black metal than anything else it’s main focus is the riffs and that infectious quality of said riffs. Just a magnificently fun ride, well played and executed for all you riff monsters out there.
Hyalithe – As If Sunlight Could Warm the Deceased
This is a new project from the one and only main man of Eneferens. Kind of like Saor is to Fuath, Hyalithe is the winter to Eneferens summer. It’s a colder, bleaker, rawer, more traditional, Burzum-esque kind of atmospheric tinged black metal but still highly and pervasively emotional just like the Eneferens project. Dude is two for two as far as you ask me so whatever else he decided to do I’ll be on board with.
Vicious Irene – Sacrifice
I don’t know what Swedish Grrrl-crust is, seems like a crustier, nastier, offshoot from the Riot Grrrl, which sounds fucking awesome to me. Vicious Irene are playing with straight up punk, crust, black metal, and a healthy dose of grunge tinged bands like L7. A lot of L7 and this album fucking rules all over. More punk like this, please.
Storm of Sedition – Howl of Dynamite 
A fucking face pummeling awaits you upon listening to this Canadian anarchistic blackened crust hardcore band. Storm of Sedition share members with similar leaning band Iskra, which makes sense as soon as you fucking hear Storm, but Storm takes it one step further and declares war on literally everybody. Angry as fuck crust punk FTW.

 

 

Your Weekly Metal Playlist 07.12.19

By | metal reviews

Yellow Eyes – Rare Field Ceiling
Yellow Eyes fucking delivers on the weird and abstract yet meticulously infectious and dismal black metal. Yellow Eyes sounds like what an ancient tomb might sound like and their archaic yet beautiful sound brings life to the darkness.
Rainer Landfermann – Mein Wort in Deiner Dunkelheit
Rainer Landermann was one of the older Bethlehem vocalists on their second and third album. Now he has a new solo album (conveniently released close to the same time as the new Bethlehem) that is a weird, avant-garde, experimental, metal album. Crazy vocal exercises, bizarre musical compositions, heavy guitars, and super German sounding in its mechanical, crushing approach. Two thumbs up for creativity.
Memoriam – Requiem for Mankind
Memoriam is always going to be the not Bolt Thrower Bolt Thrower and that’s totally fine. They scratch that Bolt Thrower itch perfectly well, but yeah, they aren’t Bolt Thrower. That being said, I feel like this new album is a step up from that crazed production and somewhat lazy songwriting that dominated the previous album The Silent Vigil. To that affect, it’s chunky riff laden, war themed death metal in all the Bolt Thrower-y ways you could want.

Abbath – Outsider
Straight up, I was not at all impressed with Abbath’s previous and first solo self-titled album. In fact I thought it was god awful. The man has shown such metal prowess with Immortal and the criminally underrated I album (which I like even better than Immortal) that it was such a bummer to hear him sort of lazily make his way through an album. It’s especially hard to hear when the new Abbath-less Immortal put out their stunning new album. But I want to like Abbath. I think the dude is hilarious and he was getting the dander up on all the trve kvlt asshole black metal fans with the album pre-order corpse paint makeup kit that it’s hard not to like him so I’m willing to give him another shot and you know what I’m glad I did. The new album is enjoyable. Not great, but enjoyable. I admire his desire to try and infuse some old old old Venom type fun back in to black metal so I’ve got to give him props there, he made a fun black metal album. It’s no Immortal, new or old but it gets the job done. And the cover art is hilariously awesome lol.
Material Support – Specter
A quick, punk blast of righteous political outrage and aggression. Exactly what punk should be.
Immortal Bird – Thrive on Neglect
A lot of hype swirling around this band and one listen through it’s easy to see why. Incredibly passionate and immediate blackened, sludgy, crust with such mesmerizing vocals and intensely addictive songs. Easily their best outing yet and super fucking crucial.
Bull of Apis Bull of Bronze – Offerings of Flesh and Gold
Some more Denver black metal for you. Bull goes for that atmospheric, cult-ish, kind of cosmic, big open spaces sound that reminds me at parts of something like later Ruins of Beverast (though not in the same league) or more sinister oriented atmospheric black metal band. It’s a good outing and some great moments on this album and another awesome entry into an already bustling scene.
Turilli & Lione Rhapsody – Zero Gravity (Rebirth and Evolution)
The third version of Rhapsody and one of two Rhapsody related projects released this year, Zero Gravity finds original Rhapsody composer and singer Luca Turilli and Fabio Lione collaborating again with all the Italian bombastic, grandiose operatic power that you’d imagine from a Rhapsody project involving these two genre masters. It’s definitely an aural experience of the grandest order and while it is sonically similar to their previous Rhapsody joints, it’s more in the symphonic side of the power metal pool, but ever explorative because Luca is never satisfied with standing still. It’s actually an amazing album and beautifully composed, cheese and all. Hail power metal!

A Pregnant Light – Broken Play
I’m always in to whatever A Pregnant Light and his “purple metal” project is up to because it’s usually always interesting and clever. This is no different but alongside the intense emotional element that is key to his music, he’s really upped the aggression. This album veers damn near thrash and crossover and a couple moments actually remind me of Power Trip. Crazy, I know, but it works with his emotionally huge sound. Always something awesome from this project.
Waste of Space Orchestra – Syntheosis 
A lot of hype around this project and it’s not hard to see why. A collaboration between members of the infinitely awesome Oranssi Pazuzu and doom band Dark Buddha Rising so naturally you’d expect a bizarre, psychedelic, heavy as fuck album, and it’s that to be sure. Massive sounding even. Weird, huge, sludgy, doomy, avant-garde even. It’s a behemoth of an album and a lot to take in so it will demand multiple listens but boy howdy is it good.
Dream Troll – Second to None
Dream Troll where making some pretty rad power metal but then on their 2018 EP The Witch’s Curse they just blew the fucking lid off the joint with their energetic, multi-genre and style mash up of power metal and it was so captivating and refreshing to hear a band go so balls to the wall experimental with power metal. My expectations where high for a new full-length from them and seeing as how killer power metal has been this year the odds were even more on their side and fucking hell did it all come through. Maybe veering more into a theatrical heavy metal place, Dream Troll can’t be nailed down and the album is an expressive explosion of genre ingenuity and catchy as hell heavy metal. Not at all disappointed.
False – Portent
It’s a nice feeling and a great surprise when you hear an album that is simply remarkable that you weren’t expecting. That doesn’t mean that when you’re expecting a band to deliver a remarkable album and they do that that power is any less diminished. I was 100% expecting False to deliver something amazing with their newest album and they certainly did but after actually hearing it it’s even more incredible than I’d thought. That’s an amazing feeling and False are an amazingly beautiful, poignant, and un-fuckable with, straight up American black metal band. Fucking dazzling.
Jute Gyte – Birefringence
I don’t even know what to say about Jute Gyte. His chaotic, multi-tonal and bizarre time structured black metal is always interesting to me. He’s like the museum equivalent of black metal. You go to the museum to appreciate the art and while you’re there you can engage with it and look at it and enjoy it in the context but it’s not an everyday thing. You can’t jam Jute Gyte on the way to work. It would drive you mad.
Panopticon – …Scars II (the basics) 
So last year Panopticon released the brilliant The Scars of Man on the Once Nameless Wilderness I and II. The double album was split into one side being the well known, Panopticon style metal and the second side a more stripped down and natural, folk/country inspired side of the project. So this release is an even more stripped down version of the folk side of Scars. In fact it’s just main man, a guitar, and those songs recorded live, and to me, this is a more direct and impactful version of those songs. I love Panopticon and everything he does but I kind of felt the second part of Scars would have been better served as it’s own release. This version feels more like that. Like it’s own thing, which is rad. But Panopticon does what Panopticon wants and is only true to himself and that’s a big part of what makes the project so profoundly amazing and this is another awesome addition to that lexicon.

Your Weekly Metal Playlist 06.14.19

By | metal reviews

Nocturnus AD – Paradox
 I don’t want to get into why Nocturnus is now adding “AD” to their name so let’s just sum it up by saying this Nocturnus is essentially the band that made the fucking masterpiece that is The Key, a balls out creatively wild, symphonic, death metal sci-fi monster from 1990, way the fuck before anybody was doing anything like that at all. So yeah, the promise of new music by that band is enticing. Paradox definitely wants you to know it was made by The Key as the production is very similar and very 90’s. It’s not a bad thing at all it’s just very much in your face with “HEY WE MADE THE KEY” which is fine because as we established, that album fucking rules and Paradox is pretty similar in it’s balls out approach to wild death metal musicianship. To me, that goes a long fucking way because creativity is scarce around these parts and Nocturnus are at least going for something their own and blasting you in the face with it. Even if it was a carbon copy clone of The Key it’s light years ahead of any OSDM band. I dig it and all it’s insanity.
Visigoth – Bells of Awakening
Um, yeah, absolutely unsurprising to me that Visigoth manage to destroy all other metal releases this year with a ten minute, two song, single release because that’s just how fucking monstrous this band is. This band is the very literal and emotional epitome of heavy metal as a whole. Everybody else is just posing.
Goregang – Neon Graves
I’ll admit I was 100% in on this band solely based on the cover art alone by artist Juanjo Castellano, clearly influenced by Dan Seagrave and very reminiscent of his work with Entombed, BUT the album is pretty fucking rad. Sure, it’s a bit of a throwback, as if the cover art didn’t suggest that already but what do you really expect from members of Soilwork, Ribspreader, and Venom Inc. However, the OSDM tendencies don’t take center stage and they aren’t galavanting around trying to prove how old school they are, it’s more informed by old Swedish death metal, Death, but with a fucking filthy layer of crust to give it a nice punk push. Fucking super fun all around.
Vale – Burden of Sight
Fucking blasting, crusty as fuck black metal. I just can’t get enough of this crust infused metal, particularly the bands that have those super sweet melodic tinged riffs. It makes it all the fucking shit.
Neckbeard Deathcamp – So Much for the Tolerant Left
I think Neckbeard’s anti-fascist meme within a meme humor is so fucking sidesplittingly funny that I give this band a huge high five. They’re so fucking good at riling up and pissing off these fucking NS supporters and alt-right metal ass clowns that it’s almost an art. These same fucks that sit around and boast about how “black metal should be offensive” yet Neckbeard offends them more than anything, the irony isn’t lost on me, just this dunderheaded dumb fucks. And their song titles, sheer comedic gold. They’re such a joke within a joke that it surprises me they’re getting so much label attention and festival support but hey, if this flash in the pan keeps pissing of NS idiots I say keep it coming. The music on So Much is hard to review because it’s made as a reflection of all the trappings of typical NS bands, IE war-metal like production, low quality, but also it has to stand on its own as good jams. I’m not sure they get there but I do enjoy it for the novelty and the complete and devastating blow the’ve been serving this basement dwelling fuck nuggets. Keep it up, boys.
Mispyrming – Algleymi
A lot of hype around this band and this album. It’s been four years since their debut, an album that was one of the focal points of the then exploding Icelandic black metal scene, which has since gone on to be extremely fruitful and creatively prolific. I’ll say this, Mispyrming bring all that same creative and unique energy that set that scene apart from all the rest with this new album while expanding their scope. It’s a massive album and something to behold.
Ares Kingdom – By the Light of Their Destruction
Ares Kingdom is so good at being so fucking good so of course I was anticipating their new release to be, well, fucking good, and it fucking sure is. Their determined approach to killer thrash/death is so satisfying I don’t have any idea why this band is just dominating everything. That being said, I think this album is just as good as any of the rest and that they all stand on equal footing. In my mind at least. Just super solid, enjoyable metal from a band that does it solidly every single outing.
Kull – Exile
So this is all the members of Bal-Sagoth minus the lead singer. From what I gather it’s the continuation of the idea of Bal-Sagoth just without Byron Roberts. I don’t know what the story there is but more Bal-Sagoth is a big fucking win for me and this album sounds just like what it promises: Bal-Sagoth with a new singer. All the grand, over-the-top, cheeseball, insanely symphonic black metal fantasy Bal-Sagoth did so well is here in fine form once again. It’s super satisfying for a Bal-Sagoth or cheese fan and I’m glad this exists in my ears because it’s fucking all over rad.
Epectase – Astres
it’s an I, Voidhanger release, my go to label for black and death metal bands that go above and beyond to expand and explore their metal genres and don’t give a fuck. I, Voidhanger has proven by far their bands are worth the listen and more often then not numerous label bands are jockeying for year end positions on my list. Epectase is going to be one of those bands. Completely not satisfied with the conventional black metal trappings, Epectase takes a “progressive” and wildly cosmic approach to black metal that dares (guffah!) to inject some melody and major chord stylings into black metal. It’s a creative powerhouse that makes me wonder why other bands are so stuck to the trappings of their genres.
Gloryhammer – Legends From Beyond the Galactic Terrorvortex
I mean, if you don’t like overtly cheesy and theatrical, humorous power metal, you ain’t gonna like Gloryhammer. You really have to dig this sort of sensational metal or at least be willing to give yourself over to it completely. This is the bands third album and it’s just as fun and ridiculous as the other two. Gloryhammer fully embraces, unapologetically, the highest order of cheese power metal. You cannot take this stuff seriously or you’ll have a bad time. Just go with it. Embrace it. It’s fucking power metal. it’s supposed to be fun.
Esoctrilihum – The Telluric Ashes of the Ö Vrth Immemorial Gods
Just leave me alone with I, Voidhanger’s catalog of bands. Seriously, how does a label get so good at releasing amazing albums? Of all the bands on the roster though, Esoctrilihum is the one that excites me the most. They play death metal and black metal but not like you’ve ever heard. Those are just loose constructs that they play with. It’s fucking extremely creative and original and unique and inspired and is still brutally heavy. And this is the bands third release in just over a year. Year end contender, right here.
Nekroi Theoi – Dead Gods
Any metal band that is willing to play with genre limitations and purposefully try and expand them or break them is something that’ll catch my ear, even if it’s a genre of metal I don’t delve into all that much. That genre being Brutal Death Metal, a genre that’s rigidity is what’s kept me from it in the first place. Nekroi Theoi decided to root themselves in brutal but meld in a ton of doom, atmospherics, and prog-ish, technical aspects to view the genre from a different angle. Does it work? For the most part. There’s a lot of “this is the death metal part” or “this is the prog” part and I wish it was more integrated as a whole but yeah, it’s better than most brutal death metal I’ve heard so that’s saying something.
Captain Three Leg / Office – Suggested Listening/Executed Prophecy
Super awesome split between the humorous, sound clip heavy, nasty punk of Captain Three Leg, and the grindtastic face punch of Office. A killer split between to sonically different bands but emotionally similar.
 Misanthropic Rage – Towards the Greyscale Aphorysm
This band is completely new to me but it checked a lot of my “must hear” marks. IE avant-garde, black/death from Poland (fingers crossed they aren’t full of fucking fascists). Poland has some killer bands along this line already. Thy Worshiper comes to mind, but Misanthropic Rage keeps the heavy side of things up front and center and lets the experimental and avant-garde nature float around in the back, informing the sound rather than being the sound. I like that approach and keeps things super balanced and engaging at the same time.
Skaphe + Wormlust – Kosmiskur hyrllingur
This is interesting as it’s not a split but a collaboration between two of the weirder Icelandic black metal bands and of course, it’s a weird, dissonant, psychedelic mind fuck. Particular interested in Wormlust’s involvement as that bad was one of the first to usher in the big explosion of the Icelandic black metal scene and has been rather quiet for years. Pretty killer and unique stuff here.
Atlas Entity – Beneath the Cosmic Silence
A one-man death metal band that is not fucking around with genre conventions. Equal parts technical, atmospheric, post, thrash, and melodic, this album is another blast of fresh air in an overcrowded, old school worshipping genre.
Sadistic Ritual – Visionaire of Death
Super fucking satisfying thrash metal that derives influence from a lot of the rougher, classic thrash bands but borrows so much it never ends up sound like just one band or style of thrash. While it’s nothing new to be sure, that non-specific thrash riffing and force is enough to separate it from the rest of the locked-in-place, new thrash bands and deliver a wholly pleasing thrash album.

Book Review: Corpsepaint

By | metal reviews, miscellaneous

The question I had while reading this book is “can I truly hate every single character in this book and still enjoy it?” That’s what David Peak’s Corpsepaint brings me to. Let’s back up a bit.

This book was sold to me basically by a friends review that described it, so so many ways, as a nihilistic, black metal, horror book that is insanely bleak. Fucking aye, that’s my jams. So diving into it that’s what I was expecting, and essentially, that’s what I got.

Now with how bleak and dismal the book is, does it behoove the story to be told by such terrible characters? Terrible as humans, not terribly written. The book is not terribly written, it’s rather engaging for a horror yarn full of assholes that I just want to kick.

Personal baggage out front: I’ve been extremely disillusioned with the rising tide of edge lord stances and white nationalists and defenders of such shitty ideals currently being thrown around the black metal scene that I just have to fucking tolerance, or patience for anybody who wants to engage or support that bullshit. David Peak’s main characters are essentially those bullshit posturing, self-proclaimed “trve” black metal dudes with zero sense of self humor or irony. There’s even mention of them dabbling with racism or nazism just to be edgy. Fuck that. I immediately hated these characters. Minus their edge, they’re still shitty humans in general. So the idea is these two musicians, one who is a “legendary” black metal musician down on his luck, and his new band partner are heading to eastern Europe to record what he thinks will be his second coming. The place they’re going is some sort of reclusive, black metal, compound life sort of deal that harbors another legendary black metal band that’s going to aid him with recording the new album. Surprise, surprise, these people are a bunch of white nationalist assholes too, throwing black metal shows with skinheads and other right wing types of extremist. In the context of the book though, the main cult group has access to some ancient, natural force of evil power they hope to let loose. It’s amusing to me that the way Peak writes these characters, as being some kind of vessel for ancient, true, arcane knowledge of the natural word is what all these real life, stick-up-the-ass black metal fans fancy themselves to be. The big difference being Peak writes fiction and these dumbwits live in reality where they aren’t anything more than greasy fanboys.

So that’s how I’m coming out of this book. I hate every single person in it but Peak writes a good, slow burn, horror yarn that pulls a lot from the dismal, hopelessness of Lovecraft but with the added black metal, heavy metal, cold, bleak, surroundings and attitudes. Is it Peak’s intention to have you dislike the characters? Maybe that’s what I brought in to it but if you ask me, I think that’s part of the books challenge. Yes, these dudes are trash, and they’ll get theirs, but are you enjoying how that happens? I did.

Your Weekly Metal Playlist 05.17.19

By | metal reviews

Idle Hands – Mana
Idle Hands debut EP Don’t Waste Your Time hit me like a ton of fucking bricks and had I heard it in 2018 it might have made my top spot for the year, or at least, very close to the top. Their debut album Mana, is all the promise and beautiful creativity promised on the EP. Idle Hands mix 80s pop and goth, Killing Joke at their most 80s-ish with a full on metal drive and intensity. It’s not like goth metal or anything you’ve heard before, it’s its own beast both 80s goth and metal and it’s fucking reinvigorating and exceptional.
Bewitcher – Under the Witching Cross
Super fun and rifftastic, black n’ roll with speed metal tendencies. Not really much else to say except that this is Bewitcher’s second outing and second impressive and downright fun as fuck album. Good stuff.
Spirit Adrift – Divided by Darkness
Spirit Adrift is sneakily becoming one of my current favorite bands with their super powerful and heavy trad/doom/classic metal take. I kind of felt their first album was a bit Khemmis-y but on their second album, Curse of Conception, they blew the gates wide open and fully attained their own unique sound. Now on to album three and Divided by Darkness is a triumphant metal performance of exceptional order. Fucking insanely riffy and intoxicatingly metal Spirit Adrift is full on heavy metal without resorting to gimmicks like homage or tribute styles yet they encorporate so much of metal’s history and presence. What a phenomenal release.
Martyrdod – Hexhammaren
Fucking Martyrdod rule. Just straight up rule, there’s no other way to put it. They just blast through album after album of pure energetic, punk-ed up and crusty as fuck black metal with insanely melodic and catchy hooks. I mean, why wouldn’t you fucking love this band and the new album, simply beautiful.
Call of the Void – Buried in Light
Denver’s own Call of the Void bring the nasty, dirty sludged-up punk metal vibes. Damn intense and energetic and well done all around. Hail, Denver!
The Accused AD – The Ghoul in the Mirror
It’s The Accused, I mean, it’s crossover metal at some of its best. Is this as classic as some of the Martha Splatterhead stuff? No, but who fucking cares? It’s the Accused doing their thing and have some punked up thrash fun so what the fuck more do you want?

Dreadnought – Emergence
Dreadnought’s music is simply beautiful. Combining elements of post rock/metal with black metal, psychedelia, and backed with some trippy keyboards, Dreadnoughts third album is their best outing yet. A band that keeps getting better is amazing to watch and hear and leaves you breathless with each move. Big fucking hails to Dreadnought and Denver metal.
Warforged – I: Voice
Just fucking blasting out of nowhere is the debut from Warforged. Fucking going all over the place with a massive death metal foundation as it’s root, I: Voice handles black metal, tech, prog, and jazz scales all with masterful creativity then throws it all into a sci-fi story blender to make one of the best albums of the year. Fucking massively creative and intensely interesting, this is what I wish we were striving for always.
Rammstein – Rammstein
Oh buddy, I used to be so fucking into Rammstein in my waining high school days and I’ve always managed to check out what they were up to over the years but the past decade or so that they’ve been missing I didn’t really give them much thought and just sort of moved on but word on street was they were all of a sudden releasing a new album with little to no buildup. Now here we are with a new Rammstein album a decade since the last and you know what? They still sound like Rammstein. If you’re looking for progression or change this isn’t the album or band for you. And that’s just fine. Rammstein do the pop metal/industrial thing so well there’s no want on my end for them to do anything else and this album is wall to wall, 4 minute long, catchy, industrial metal songs. Just the way they’ve always been. Just the way they always will be.
Bethlehem – Lebe Dich Leer
As far as I’m concerned Bethlehem is a classic band at this point and they’ve been fucking knocking it out of the dingy dungeon with their past couple albums. I love their weird, experimental, goth-ed up take on black metal and the addition of Onielar on vocals since 2016 has just given the band the extra power to help make some of the best albums of their career. Speaking of Onielar, I am a fan of her other band Darkened Nocturn Slaughtercult in all of it’s raw black metal-ness but I think her vocal performances are better in Bethlehem and this gothic black metal realm. She’s the stand out performance for sure on this album and their previous but the whole band is hot fucking fire and continue to make incredible albums.
Paladin – Ascension
Hot fucking hell, this album fucking rules. It’s an extremely energetic, riff show of power metal, thrashed the fuck up and topped with a little melo death just for good measure and that makes it super fucking fresh and exciting and all the things I want. Power metal continues its dominating streak over 2019.
Vale of Pnath – Accursed
I know that Allegaeon is want to be the dominating tech death force here in Colorado but if you ask me, Vale of Pnath is running circles around Allegaeon’s science based tech death with their horror, cultish, Lovecraftian-like tech death. I know, splitting hairs and who fucking cares, really, because both bands are rad but for my money Vale is fresher, more on point with the tech and death metal combo and just flat out awesome.

Your Weekly Metal Playlist 05.03.19

By | metal reviews

I hope this deluge of incredible albums never ends and we all just get washed away in a sea of amazing art and persistent creativity instead of whatever nonsense and horror is typically waiting for us around the bend. Here’s my best choices to help that swell occur:

Dryad – Split w/ Acid Leather
Fucking nasty as all get out Iowan black metal. The filth on this is amazing.

Isotope – Isotope
So all about crust and anything crust infused. Isotope approach their crust through a sleazy rock n roll vibe that is pure drive and aggression and it’s all the fucking awesome.

Polynove – On the Edge of the Abyss
I tend to be weary of anything approaching symphonic goth metal territory and even I have my cheese limits but Polynove take the operatic style Nightwish/Epica vocals and make it work with a more melodic, death metal, doom sort of style. It still has a healthy dose of lactose but enough less than say Nightwish to make me dig this. Plus some of these riffs are fucking stellar and the rest is pretty damn fun. Don’t be so fucking serious all the time.

Murg – Straven
Naturalistic and raw Swedish black metal. Simple yet moody and massively emotional, the semi low-fi quality sets and ominous presence, something Murg has always reveled it. Damn good.
Belzebubs – Pantheon of the Nightside Gods
This is the debut album from the fictional characters based on the hilarious and poignant comic strip of the same name. Now the comic does an excellent job of pulling back the curtain on extreme metal on it’s own and I’ve never really thought the band that is featured in the comic needed to actually musically exist but all that aside, it’s a decent album. It’s produced by Dan Swano so naturally it sounds incredible and the music is fun if not ripe with the “heard this before” sort of polished, studio friendly black metal. It’s better than it has any right to be existing as pretty much a punchline to a comic strip gag but it’s got a lot of reverence for classic black metal and is enough to make you nod your head for an hour.

Varaha – A Passage for Lost Years
Beautiful, mournful, melodic, atmospheric doom/death metal that lived up to all the hype (self imposed) from their debut EP. Perfect for this gloomy spring weather.
Oozing Wound – High Anxiety
Ridiculously infectious crossover thrash that reinvents the idea of punk/metal hybrid, infusing the wild mashup with a biting and ludicrously hilarious attitude. This shit fucking rules all over.
Marissa Nadler & Stephen Brodsky
A collaboration between dreamscape folky singer Marissa Nadler and eccentric metal adjacent Stephen Brodsky of Mutoid Man seems like an odd clashing of divergent styles but the end result is something of great beauty and creativity. These two work amazingly well with each other, musically, on something that leans more towards Nadler’s strengths but with slight Americana and dark folk tinge provided by Brodsky’s guitar work. The point is, this is something creative and fresh being made by two exceptional musicians and we need much more of this energy.
Árstíðir lífsins – Saga á tveim tungum I: Vápn ok viðr
This mish mash of Icelandic and German metal players has produced some epically expansive and beautifully bleak black metal albums and the fucking five year wait since Aldafǫðr ok munka dróttinn seems to have only sharpened their skills. Pagan oriented atmospherics abound with tons of low, bass heavy chanting vocals set agains grand, sweeping black metal of magnificent emotional structure could pretty much sum up the band in general but they go all in on all those ideas on this album. True to form the album is a bit long, an hour and ten minutes, which is actually a bit short for them but every second is worth hearing. Fucking killer band.
Sol Sistere – Extinguished Cold Light
Chilean black metal of mystical and mildly atmospheric order that focus primarily on ferocity and aural encapsulation. There’s a bit of a classic, more produced style of black metal at work here which is fucking rad and as far as I can tell they aren’t fucking racists scumbags and really that’s all I ask of black metal nowadays. It’s seemingly harder and harder to come by.

Bad Religion – The Age of Unreason
I don’t even want to hear about what is punk or not in regards to Bad Religion. You all just wish you could be as relevant and crucial as Bad Religion are to punk seventeen albums in. Still on top of their game, still poignant and precise with their current societal observations and sharp with their humor, Bad Religion’s latest offering is exactly all the things that keep them out performing everybody else. This is the album I needed to hear. It’s the album we all need to hear. For the moment new Bad Religion in the world makes everything right again.

Your Weekly Metal Playlist 04.19.20

By | metal reviews, Uncategorized

Fuck everything. List to metal. Here’s some great new stuff I’ve been putting in my ears this week.

Waldgefluster – Mondoscheinsonaten
Waldgefluster have been releasing amazing album after amazing album and it boggles my mind more people aren’t listening to this band, or at least, talking about them. Mondoscheinsonaten is their fifth album of captivating and masterfully composed atmospheric, German, nature-oriented black metal, and it might be their most beautiful. It might be the most beautiful black metal album of the year. I can’t get enough of this band and in a year where black metal and a part of it’s fans are determined to make it a less fun and inclusive place while defending absolute garbage people and bands, I’m clinging to bands like Waldgefluster like grim fucking death.
Blood Command – Return of the Arsonist
And here were have a combination of pop punk and pop metal(?). Blood Command have that 90’s early 2000’s pop punk thing going on with an equal focus on the pop and punk but with a bit of metal’s aggression and instrumentation. This totally would have been a band I’d have been into after seeing them at a Warped Tour in the 90s. Super fun, super stylish and catchy as all fucking get out.
Inferi – The End of an Era (Rebirth)
Inferi’s highly melodic and technical death metal just hits all the right fucking notes with me and I can’t even deny it. I didn’t discover them until their 2014 album The Path of Apotheosis so I really have no opinion on their first album, which has now just been re-recorded and released anew. I can tell you that this album is a fucking melodic and technical riff machine that is so infectious it transcends infection. And that’s really all I was expecting or even wanting. This album rules and so does the band.
Inculter – Fatal Visions
Holy shit, this is a fucking shred machine. Insane black thrash from Norway. I didn’t think anybody was going to give Hellripper a run for his money yet here we fucking are. At least until Necromantheon get off their asses again. Get this in your life.
Hath – Of Rot and Ruin
I’ll cling to any new death metal that isn’t “old school” nowadays, especially when it’s a band that’s actually trying to do something somewhat original. Hath take on a melodic, technical, proggy, blackened mish-mash and do it exceedingly well and engagingly. There’s a lot of hype around this album right now and it might not be the “masterpiece” it’s being heralded as but it’s fucking damn good and vastly different then all the old school worshippers everybody is freaking out about.
Numenorean – Adore
Give me black metal that’s changing shit up and bushing the bullshit genre boundaries. Give me something that is even remotely different or at least reaching of other ideas and elements. Give me more stuff like this new Numenorean that makes black metal melodic and catchy and poppy and emotional and dark and miserable. Fuck black metal orthodoxy and the assholes that will surely rage about this. This album is rad and I hope you choke on it.
Allegaeon – Apoptosis
Colorado’s own Allegaeon blasting out the super technical, melodic death metal. Both technical musically and technical with the scientific anecdotes and themes, which is what I think makes Allegaeon stand out. They’re like a hyper melodic science experiment, one whose results are catchy ass riffs for days and technical wizardry that’ll make your head spin. Super solid release, again from these guys.
Black Sites – Exile
This is super fucking refreshing. Just straight up heavy metal with no genre tags. Heavy metal in its purest form but also, amazingly, not an homage or old school show off band. Just a modern take on the most distilled form of metal. For reference it reminds me of Armored Saint/ John Bush era Anthrax mixed with Cyclone Temple. There’s even a nice goth inspired song that makes me ache for that new Idol Hands, but that’s another story all together. This simply fucking rules. No fluff, no pretense. Heavy, fucking, metal.